'Where the #%*! Are My Pictures?' Review

'Where the #%*! Are My Pictures?': Luminous Landscape Guide to Asset Management is a downloadable tutorial with Michael Reichmann and Seth Resnick. This has been on the market for quite a while, but I've not really had the time to purchase and download it until now. Weighing in at almost 3Gb, it's a substantial download. The question is, is it worth getting?

Well to answer that let's take a look at what it contains. Essentially these videos are Seth Resnick talking about how he uses Lightroom as an Asset Management tool. Michael interjects with his opinion when it suits, but essentially this is all about Seth.

The video kicks off introducing concepts and then shows Seth shooting from the roof of his apartment block. They then work through the import process and general management of the images, including filenaming, folder management, metadata templates and even Develop presets on import. Other aspects of file management get covered, like ranking, keywording and filtering are covered. There's even a section with Seth's scare story on archiving. For those mixing laptops and desktops, that gets covered also.

The tutorial is very easy to watch. The conversation is quite laid back, and everything is done slowly making it easy to take in. For me it's covering old ground in a lot of places, but hearing it from the master really helps methods sink in. I found lots of valuable tips, tricks and advice along the way. Even the longer sections seem to fly, a definite sign that Seth makes a dry topic interesting. There's a lot of banter and joking, but this all adds to making these an easy watch.

I would have no hesitation in recommending this to all users of Lightroom, no matter what their experience level with asset management. There's something here for everyone. For the record, I did purchase this myself, and have no ties or affiliation with the title.

X-Rite ColorChecker Passport mini review

Colour Confidence in the UK were good enough to send me an X-Rite ColorChecker Passport to try out. I'm already a user of the Mini ColorChecker and the Eye One Display 2, so I already have trust in the company for colour expertise. Seeing the Seth Resnick video on the X-Rite site instantly caught my eye, so I've been keen to try it out.

So what is the Passport? Basically it's a plastic case with 3 charts: White Balance, ColorChecker and an adjustment chart. When combined with the X-Rite Software, it allows you to create DNG profiles automatically, usable in Lightroom for more accurate colour. It is possible to create your own DNG Profiles using the DNG Profile editor, but this is much easier. Installation is quick and painless from the disk.

Some notes: Before getting this, I'd already had a chance to use the software that comes with this product. If you create an account at X-Rite, the software is available for download (or at least it was a few weeks ago). I was able to test it using the Mini ColorChecker. I've had a chance to use this at a recent Strobist meetup. Bear in mind that the following is simply my intial use and impressions, and that I will most likely revisit this in the future.

As I was shooting, I took a quick snap with Liz, who was kind enough to pose for me for some of the afternoon. When I got back home, I brought the images into Lightroom and got started. I found the image with the Passport and crop into the passport itself. Using the neutral patch in the adjustment chart, I set the white balance. I then started Export (File>Export). From the plugin list, I selected the ColorChecker plugin.

I enetered a name, "Minisoft44_Octa", and hit Export. The progress bar let me know that a profile was being generated.

On the first go I got an error. On reading I made the decision to try again, but to crop in much tighter this time.

I'm genuinely not sure if the cropping is supposed to affect the profile generation, but this time it made a difference when I exported the second time.

Following the dialog box instructions, I restarted Lightroom. Once Lightroom had opened, I went the Camera Calibration tab in Develop where I found a new profile matching the name I had entered.

On selecting the new profile, the colours immediately shifted. To my eye the colour is richer, but redder. You can see the Before/After view below to judge yourself. While I think it's too much, it is more accurate view than the initial view.

With one or two radically different setups on the day the result was similar. I did find the result a little red, but liked the overall richness of tone. For comparison purposes, I used the same Passport image, exported to DNG, and then opened in the Chart section of the DNG Profile Editor, to create another Profile. In the image below, the X-Rite Profile is the before, and my self created profile is the After (on the right). The redness is gone, but the tones are richer. (I'll cover the procedure for this in another post in the future).

In conclusion I will be buying this product. The build and size of the case is great for leaving in your camera bag for every shoot-something I feel wary about with the Mini ColorChecker. I do have reservations about the profile from the Passport software. Some of this may be down to my use of the plugin, and preference for particular skin tone looks. I did reinstall the software to make sure that the previous version I had downloaded was not this issue, but the 2 generated profiles seem identical. I prefer the look of the DNG Profile Editor profile here, but I'll continue to use the X-Rite profile maker and report back on this. Again, this doesn't affect my thinking about the usefulness of the product and I heartily recommend it for the charts.

Digital SLR Photography review

Digital SLR Photography have a review of Photoshop Lightroom 2 Made Easy in this months issue. They give it 4 out of 5 stars!

Martin Evening: The Adobe Photoshop Lightroom Book

As I flick through the pages of this fantastically written book, I am struck by the beauty of the images used within. The book is a joy to read and written in a straightforward, almost informal, style. Although just getting into it now, it seems no stone is being left unturned. I'm really looking forward to hints and gems that I've missed along the way. I'll report back more along the way.
One thing I did notice is my name in the Acknowledgments.. Blush..

"Damn, it's like watching something out of Blade Runner..."

James Duncan Davidson has a few words to say on using Lightroom Vs Aperture.

"Over the last year or so, I've been a very casual user of Lightroom. Mostly, I've been using it enough to keep tabs on its development and write about it. But, the majority of my work, as well as my primary image library, lived in Aperture. Then, sometime late last year, I discovered that Lightroom is a great vehicle for making large prints from. In comparison, the prints from Aperture look a bit, um, mushy for my taste. The differences in my comparison prints can be described as looking at a good picture taken with a kit lens next to the same scene taken with professional glass. So, I've been using Aperture for almost everything, but using Lightroom to produce big prints from."

[Read the whole Article...]

Via Inside Lightroom